Sunday, January 30, 2011

The King's Speech (2010)

The King's Speech is a remarkable movie, that hits all the right notes. It's really not a surprise to me that it received 12 Academy Award Nominations. It deserves the attention. I was interested, but not exactly full of expectations as to how good it would be. With Colin Firth, and Geoffrey Rush, I knew the acting would be stellar.

Firth blew me away with his portrayal of Prince Albert (Duke of York, future King George VI). He was so believable, and his stammer (stutter) was so real, it frustrated me at times. I truly felt sorry for him, even though he was royalty. His stammer made him human.

Albert's wife Elizabeth, expertly played by Helena Bonham Carter, hires therapist after therapist, with no luck. Albert's stammer seems incurable. In a last attempt to find help for her husband, she meets with an Australian speech therapist, who has moved to London, named Lionel Logue (Geoffrey Rush). Lionel insists on having the sessions in his office, and that Albert see him as an equal. This leads to the first real friendship Albert has ever known, that carries over when he becomes King George VI, and has to make a speech declaring war with Germany.

The King's Speech has a lot to offer. Not only is the acting superior, but the story is the classic tale of someone overcoming adversity to achieve true greatness. It's also a story about friendship, and how honesty, and equality are a must. It's a movie that will help you understand the humiliation, and self loathing that those with a stutter tend to experience. 

It affected me. When a movie does that, it deserves some praise.

Rated R, Runtime 118mns


Tuesday, January 25, 2011

2011 Academy Award Nominations



And the nominees are....

PICTURE:

Black Swan
The Fighter
Inception
The Kids Are All Right
The King's Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter's Bone


I nailed this category in my predictions. No surprises here.

DIRECTOR:
Darren Aronofsky - Black Swan
David Fincher - The Social Network
Tom Hooper - The King's Speech
Joel & Ethan Coen - True Grit
David O. Russell - The Fighter

Christopher Nolan got snubbed here. The Coens did nothing more than remake an older movie almost scene for scene. The Academy loves the Coens though, so don't count them out. 

ACTOR:
Javier Bardem - Biutiful
Jeff Bridges - True Grit
Jesse Eisenberg - The Social Network
Colin Firth - The King's Speech
James Franco - 127 Hours



In my original picks for best actor, I had 4 actors that I was sure of. For the fifth I simply listed "a foreign actor in a movie no one has seen", before changing it to Sam Rockwell. Apparently I was right the first time.

ACTRESS:
Annette Bening - The Kids Are All Right
Nicole Kidman - Rabbit Hole
Jennifer Lawrence - Winter's Bone
Natalie Portman - Black Swan
Michelle Williams - Blue Valentine



I didn't see Rabbit Hole, or Blue Valentine, so I went with Anne Hathaway for Love And Other Drugs, and Hilary Swank for Conviction. 

SUPPORTING ACTOR:
Christian Bale - The Fighter
John Hawkes - Winter's Bone
Jeremy Renner - The Town
Mark Ruffalo - The Kids Are All Right
Geoffrey Rush - The King's Speech



I also had John Hawkes on my list, but changed it to Andrew Garfield at the last minute. He was excellent in The Winter's Bone, so I'm really glad to see that I was wrong in my choices.

SUPPORTING ACTRESS:
Amy Adams - The Fighter
Helena Bonham Carter - The King's Speech
Melissa Leo - The Fighter
Hailee Steinfeld - True Grit
Jacki Weaver - Animal Kingdom



I haven't seen Animal Kingdom, but I hope Jacki Weaver's performance was worthy of snubbing Mila Kunis.
ANIMATED FEATURE:
How to Train Your Dragon
The Illusionist
Toy Story 3



I chose Tangled over The Illusionist, but since I haven't watched either, it makes no difference to me.

DOCUMENTARY FEATURE:
Exit Through the Gift Shop
Gasland
Inside Job
Restrepo
Waste Land



I'm kinda surprised here. I've only watched Exit Through The Gift Shop, and Restrepo from this list. I would have liked to see Catfish make it in there. I know absolutely nothing about Gasland, Inside Job, or Waste Land. I guess the buzz surrounding Waiting For Superman didn't warrant a nomination.




And here's the rest of the categories, and nomination...




ORIGINAL SCREENPLAY:
Mike Leigh - Another Year
Scott Silver & Paul Tamasy & Eric Johnson - The Fighter
Christopher Nolan - Inception
Lisa Cholodenko & Stuart Blumberg - The Kids Are All Right
David Seidler - The King's Speech

ADAPTED SCREENPLAY:
Danny Boyle & Simon Beaufoy - 127 Hours
Aaron Sorkin - The Social Network
Michael Arndt - Toy Story 3
Joel Coen & Ethan Coen - True Grit
Debra Granik & Anne Rosellini - Winter's Bone


FOREIGN LANGUAGE FILM:
Biutiful (Mexico)
Dogtooth (Greece)
In a Better World (Denmark)
Incendies (Canada)
Outside the Law (Algeria)

ART DIRECTION:
Alice in Wonderland
Harry Potter and the Deathly Hallows: Part 1
Inception
The King's Speech
True Grit

CINEMATOGRAPHY:
Black Swan
Inception
The King's Speech
The Social Network
True Grit

DOCUMENTARY SHORT:
Killing in the Name
Poster Girl
Strangers No More
Sun Come Up
The Warriors of Qiugang

ANIMATED SHORT:
Day & Night
The Gruffalo
Let's Pollute
The Lost Thing
Madagascar, carnet de voyage

LIVE-ACTION SHORT:
The Confession
The Crush
God of Love
Na Wewe
Wish 143

VISUAL EFFECTS:
Alice in Wonderland
Harry Potter and the Deathly Hallows: Part 1
Hereafter
Inception
Iron Man 2

COSTUME DESIGN:
Alice in Wonderland
I Am Love
The King's Speech
The Tempest
True Grit

MAKEUP:
Barney's Version
The Way Back
The Wolfman

FILM EDITING:
Black Swan
The Fighter
The King's Speech
127 Hours
The Social Network

SOUND MIXING:
Inception
The King's Speech
Salt
The Social Network
True Grit

SOUND EDITING:
Inception
Toy Story 3
Tron Legacy
True Grit
Unstoppable

ORIGINAL SCORE:
John Powell - How to Train Your Dragon
Hans Zimmer - Inception
Alexandre Desplat - The King's Speech
A.R. Rahman - 127 Hours
Trent Reznor & Atticus Ross - The Social Network

ORIGINAL SONG:
"Coming Home" from Country Strong
"I See the Light" from Tangled
"If I Rise" from 127 Hours
"We Belong Together" from Toy Story 3

Monday, January 24, 2011

The Quick Review Guy's Oscar Predictions for 2011

Ok, so I know I'm really behind on my reviews, but I wanted to talk briefly about the nominations being announced tomorrow. I wanted to throw my two cents in on who I think should be nominated, and possibly win. So far, I've seen just about everything that has any buzz surrounding it. It's been a great year for movies, but unfortunately, the best haven't been seen by everyone. 


BEST PICTURE

  • The Social Network (tie)
  • The King's Speech (tie)
  • Black Swan
  • Winter's Bone
  • The Town
  • The Fighter
  • True Grit
  • Inception
  • Toy Story 3
  • The Kids Are All Right
There's no surprises there. Everyone is predicting these 10 films to fill this category. I've been a big fan of The Social Network from the beginning, and while I think it has an excellent chance of topping this category, it has one big hurdle to overcome: The King's Speech. Wow. Colin Firth's take on King George VI's "stammer" is a brilliant film. I'm having a hard time deciding which is the better film. The Social Network is fresh, and relevant, and may win over the voters based on that alone. The King's Speech on the other hand is Oscar bait. They tend to love stories of adversity, and period pieces. This is both. For now, I'm calling a tie on this one. It's just too close to call. 

Black Swan, Inception, and The Winter's Bone turned us on our heads with psychology and trauma. You may not have walked away feeling happy about what you had just seen, but the images were burned into your brain. True Grit has developed a fan base of younger viewers with no knowledge of the John Wayne classic, and older viewers who wanted to see Jeff Bridges take on Rooster Cogburn. While the newer version was great, and will probably make it into the best picture category, I only include it, because it's a sure thing. I don't particularly think it deserves to be there. There were other films that deserved it more, like Conviction, or 127 Hours. Sadly, I don't think they will make the cut when the nominations are announced.

The Town and The Fighter were both great movies based in Massachusetts. One's a true story, the other's a fiction tale based on facts about the neighborhood it's filmed in. Both are deserving of nominations, and both will likely have nominations for best direct, and best supporting actor. The Kids Are All Right is getting a lot of buzz, and will fit nicely into the expanded 10 film Best Picture category. It's got a lot of heart, and some truly great performances.

Rounding out the list is Toy Story 3, which was the biggest cash cow of any of the films released in 2010 (Avatar was released in December 2009) , and earned it's spot on the list. While it's a shoe in for Best Animated Film, it will likely get a Best Picture nomination, because it's just a wonderful movie. Everyone loved it.

The next category I want to talk about is Best Actor/Best Actress. I had a few favorites this year, and I have a feeling that most will agree.

BEST ACTOR
  • Colin Firth, The King's Speech
  • Jesse Eisenberg , The Social Network
  • James Franco, 127 Hours
  • Jeff Bridges, True Grit
  • Sam Rockwell, Conviction
I was completely on board with James Franco winning this, until I saw Colin Firth's performance. I can't imagine anyone else winning this now, even though Franco was brilliant.

BEST ACTRESS
  • Natalie Portman, Black Swan
  • Jennifer Lawrence, The Winter's Bone
  • Anne Hathawy, Love And Other Drugs
  • Hilary Swank, Conviction
  • Annette Bening, The Kids Are All Right
For mean, this category was weeker than previous years. While Natalie Portman was outstanding, and will probably walk away with this award, newcomer Jennifer Lawrence is equally deserving. 

BEST SUPPORTING ACTOR
  • Christian Bale, The Fighter
  • Geoffrey Rush, The King's Speech
  • Andrew Garfield, The Social Network
  • Jeremy Renner, The Town
  • Mark Ruffalo, The Kids Are All Right
While my pick is hands down Christian Bale, this is the category to watch this year, as all potential nominees where fantastic!!

BEST SUPPORTING ACTRESS
  • Melissa Leo, The Fighter
  • Hailee Steinfeld, True Grit
  • Mila Kunis, Black Swan
  • Helena Bohnam Carter, The King's Speech
  • Amy Adams, The Fighter
I watched True Grit and The Fighter back to back, so for me it's hard to pick a clear winner between first time actress Hailee Steinfeld, and veteran Melissa Leo. Since it's rare for a newcomer to get the big award their first time out, I'm gonna go with Leo.

BEST DIRECTOR
  • David Fincher, The Social Network
  • Darren Aronofsky, Black Swan
  • Christopher Nolan, Inception
  • David O'Russell, The Fighter
  • Tom Hooper, The King's Speech
This is another great category, with some truly amazing work done behind the scenes. I have to go with Fincher here, because he crafted a film that everyone can enjoy, whether you're a Facebook user, or not.

BEST ANIMATED FILM
  • Toy Story 3
  • How To Train Your Dragon
  • Tangled
There's no reason to really discuss this. I can't see another film winning. 

BEST DOCUMENTARY
  • Exit Through The Gift Shop
  • Catfish
  • Restrepo
  • Waiting For Superman (I haven't watched this yet, but have heard good things)


Friday, January 7, 2011

Winter's Bone (2010)

Ree Dolly (Jennifer Lawrence) isn't your typical 17 year old girl. Her mom has recently had a breakdown, and is mentally incapacitated. Her dad is a well known maker of crystal meth, who is wanted by a bail bondsman, after putting their home up for bond. Ree has essentially been left alone to raise her younger brother and sister, as well as care for her ill mother, with the treat of losing her home hanging over her head. She's really had a tough time, and it shows. She's tough as nails, and very distrusting of her neighbors, most of which, are family.


She sets out to find her father, but finds nothing but resistance from the many distant relatives who share this poverty stricken area of the Ozarks with her, and want nothing more than for her to leave them alone. It's a terribly sad scenario that is laid out for us to digest slowly, carefully, and unapologetically. It's an awful life to imagine living, but she doesn't complain. 


Jennifer Lawrence is fantastic. There's a rawness to her performance that is a beautiful tribute to her craft, but also believable. John Hawkes is also impressive as her uncle Teardrop Dolly, who reluctantly gets involved. 


The movie overall was great work from second time director Debra Granik, whose first feature film was 2004's Down To The Bone.


Rated R, Runtime 100 Minutes

Thursday, January 6, 2011

127 Hours (2010)

Note: This is based on a true story, so spoilers are kind of unavoidable. If you don't want to know what happens, then stop reading this, and certainly don't Google "Aron Ralston".


In 2003, mountain climber Aron Ralston (James Franco) took a weekend trip to the canyons of Robbers Roost, Utah, alone. A freak accident leaves his arm trapped under a fallen boulder, miles away from anywhere. Unfortunately, no one knows where he is, since he failed to tell anyone, so help isn't coming anytime soon. For five days Aron wrestles with his mortality, and the mistakes he made that brought him to this point. Many of these revelations were recorded, via video camera, as a confessional for his family, but more importantly as a way to keep his sanity in such an awful situation. 


His decision to cut off his arm doesn't come quickly or lightly. The film makers did a great job of making the build up to it very powerful, and with clarity, even though obviously the only option early on. It's a gut-wrenching story of finding the strength to survive against incredible odds. It sounds like a cliche, but the movie plays out with a realness, and honesty, that sticks with you hours after the credits roll.


Based on the book
"Between A Rock
And A Hard Place"
by Aron Ralston
Danny Boyle (Trainspotting, 28 Days Later, Slumdog Millionaire) directed another masterpiece here. His movies tend to have a visceral quality, that I personally love, and look for while watching. The use of imagery to represent Aron's thoughts throughout the film works. Odd, but it works. Even the music, that seems out of place initially, sticks with you. 


The true genius here is the casting of James Franco, who is great in every role he plays. He has that charming, ladies man quality about him, but also a calm, stoner vibe that makes guys want him as their best friend. Everyone likes him, and he connects Aron to the audience very effectively.


His acting in this movie is what awards were made for. Truly amazing. He's my top choice for Best Actor.



Rated R, Runtime 94 Minutes

Wednesday, January 5, 2011

UPDATED: My Top 25 Favorite Films of 2010

UPDATED 1/7/11 - I have officially added 127 Hours to my Top 5. I still have a few films to watch, so more adjustments may be made soon. If you saw the previous version of this list, then you'll notice more titles are listed. What was meant to be 25, was only 20. I'm gonna blame it on a late night, and poor math skills.


In an effort to make this post more accessible, I've removed the movie posters, and put the movie into an actual order beyond my Top 5.

My top 25 are:
  1. The Social Network
  2. 127 Hours
  3. The Fighter
  4. The Town
  5. Conviction
  6. Buried
  7. True Grit
  8. Inception
  9. Black Swan
  10. The Kids Are All Right
  11. Monsters
  12. Catfish
  13. Toy Story 3
  14. Iron Man 2
  15. Tron Legacy
  16. Alice In Wonderland
  17. All Good Things
  18. Cyrus
  19. How To Train Your Dragon
  20. Scott Pilgrim Vs. The World
  21. Exit Through The Gift Shop
  22. Going The Distance
  23. Unstoppable
  24. Get Him To The Greek
  25. The A Team

Thanks for reading!

The Quick Review Guy





Tuesday, January 4, 2011

Catfish (2010)

Catfish is a documentary about New York photographer named Nev Schulman, who develops an online relationship with the older sister Megan, of an 8 year old artist named Abby in Michigan. Abby paints a photo of his that was published in a newspaper, and sends it to him. Through Abby, he is connected with her mother Angela, father Vince, sister Megan, and many others on Facebook.

As more paintings arrive from Abby, and he spends a considerable amount of time chatting on Facebook, and via cell phone with Megan. Eventually an opportunity arrives for Nev and Megan to meet. What happens next is shocking, and has to be seen to be appreciated.

Like the tagline says "Don't let anyone tell you what it is."

Filmed by Nev's older brother Ariel Shulman, and Henry Joost, Catfish is a well put together film, that never exploits the parties involved, or demon-izes the use of social media networks like Facebook. It takes a hard, honest look at what is real, and what is perception, when corresponding with someone you don't know.

I was completely fascinated by this film. It was real, and significant, and tastefully handled. Even when it's obvious that frustration, and confusion is becoming too much for Nev, the camera stays on.

It's a documentary everyone should see.

Rated PG13, Runtime 87mns

Conviction (2010)

What would you do if your brother was wrongfully convicted of murder, and sent to prison? Think about that a second. It's a really heavy question. Most of us wouldn't know how to answer that. Would you dedicate your life, and make countless sacrifices, in the pursuit of someone you love's freedom?


Betty Anne Waters (Hilary Swank) did exactly that, when her brother Kenny (Sam Rockwell) was convicted of a 1980 murder in Ayer, Massachusetts. With questionable evidence against him, he is sentenced to life in prison. Not willing to give up on him, Betty goes back to school and pursues a law degree, in hope of finding the evidence to overturn his conviction. She's assisted in her search by her classmate, and friend Abra Rice (Minnie Driver).


Based on a true story, Conviction is a powerful movie, that does a excellent job of establishing the relationship between Betty Anne and Kenny, even from a young age. Their childhood, and foster care placement, are carefully shown in segments, to showcase the bond between the siblings. It's really well done, and I have to give credit to the child actors (Bailee Madison, Tobias Campbell) for making those scenes carry weight throughout the movie.


Hilary Swank and Sam Rockwell are truly two of the best actors working today. It's not surprising that they are exceptional here. Their chemistry is spot-on, and it makes their screen time together work. 


This is a great movie, with a great cast, that tells a great story. Simply put: It's great.


Rated R, Runtime 107mns

Little Fockers (2010)

Much like it's predecessors (Meet The Parents, Meet The Fockers), Little Fockers is more of the same jokes, and scenarios, just less funny this time around. I won't say there's no laughs here, because there are a few. It's just so full of "been there, done that" moments that you literally know what will happen next. There's really no surprises.


Ben Stiller returns as Greg "Gaylord" Focker, and so do the tired jokes about his name. Robert DeNiro is the same overbearing, ex CIA father in-law Jack Byrnes, who is now looking for a successor to take over his role in the Byrnes clan, were anything to happen to him. The rest of the original cast returns, including Teri Polo, Owen Wilson, Blythe Danner, Dustin Hoffman, and Barbra Streisand. 


Greg is approached by a pharmaceutical company representative named Andi Garcia (Jessica Alba) who wants him to be a spokesman for a new erectile dysfunction medication. He's also dealing with repairs to a new home, a lazy construction crew, planning a birthday party for his 5 year old twins, and their application to the Early Human School ran by Prudence (Laura Dern). Add to all that, the pressure from Jack to become the "Godfocker".


There are many plot devices throughout this movie, that never really go anywhere. I don't know if they were trying too hard since it's the 3rd film in the series, or if they weren't trying at all. Most of it falls flat. I refuse to call this a terrible movie though, because I have certainly watched worse. It remotely entertained me for an hour and a half.


Sometimes that's good enough for a Monday night.


Rated PG13, Runtime 98mns

The Fighter (2010)

It seems like every generation gets that one boxing movie that leaves a mark, and becomes an instant classic. The Fighter is one of those movies. It's inspirational. It's gritty. It's dramatic. It's also a true story.


The film takes places in Lowell, Massachusetts, and follows half brothers "Irish" Mickey Ward (Mark Wahlberg) , and Dicky Eklund (Christian Bale). Dicky is a former boxer, and local hero, whose addiction to crack cocaine is the focus of an HBO documentary being filmed throughout scenes in the movie. Younger brother Mickey is training with Dicky, to begin his professional boxing career. Always under his brother's shadow, Mickey is held back by Dicky's addiction, and a mother/manager who can't see past her elder son's former glory, to recognize his true potential.


In all fairness, this isn't a boxing movie. It's much more than that. Mickey's battles outside the ring far outweigh the physical abuse he endures inside it. The real challenge for Mickey is his family.


Things begin looking up for Mickey when he meets, and falls for Charlene (Amy Adams), a no-nonsense bartender who doesn't back down to his family, and gives him the confidence he needs to take control of his life.


This is a phenomenal movie. The cast was perfect. Christian Bale gives the best performance of his career, and should walk away with the Best Supporting Actor award for this. He has an uncanny ability to become a character so well, that you really forget there's an actor on screen. He's so good in this movie, that he unfortunately makes Wahlberg's understated performance feel more underwhelming. Don't get me wrong. Wahlberg is perfectly cast as Ward, and he handles the physical aspects of the film exceptionally. Bale is just a better actor. Amy Adams gets points for going against type to play the sexy Charlene, and does a great job. She's surprisingly believable in the role.


I highly recommend The Fighter to anyone who wants to see an inspirational movie, about overcoming adversity, without ever feeling preachy, or overly sentimental. 


This is one of my top picks for Best Picture.


Rated R, Runtime 115mns

Monday, January 3, 2011

True Grit VS. True Grit

True Grit '69 vs. True Grit '10
After viewing both films, and several discussions on the topic, I've decided to put my thoughts into words.

WARNING: SPOILERS AHEAD

This won't be so much a QUICK REVIEW like my normal posts, as I feel there are many things to talk about when comparing the John Wayne classic from 1969, to the Jeff Bridges version of 2010. I like the new movie, and in many ways it improves on the original, but it's really not a BETTER film, in my opinion.

"Fill your hands, you son of a bitch!"
Before I get into specifics, let's talk about the story. Both films are based on the 1968 book, True Grit, written by Charles Portis. The story is set in 1877 Arkansas, and is about a young girl named Mattie Ross, who hires the notorious Rueben J. "Rooster" Cogburn to hunt down ranch hand Tom Chaney, who murdered her father, and is hiding in Indian territory. Cogburn is a U.S Marshall, notorious for his drunken disposition, and trigger-happy ways. Mattie uses Cogburn's need for money, and the fact that Chaney is traveling with Ned "Lucky" Pepper, to persuade him to take the job. They are joined by a Texas Ranger named La Boeuf, who is also hunting Chaney for killing a Texas Senator, and his dog. 


Kim Darby as Mattie Ross
That is the premise of both films in a nutshell. While both use the book as the source material, they go about different ways of telling the story. The original movie took the book, and made a movie that was accessible to a vast audience. They removed the narrative by Mattie Ross, and made changes that helped move the story along, and build the characters. The cast was great, with John Wayne as Cogburn, Kim Darby as Mattie, Glen Campbell as La Boeuf, and Robert Duvall as Ned "Lucky" Pepper. We can argue all day about the type of actor Wayne was, and how his Best Actor Oscar was more a "Lifetime Achievement Award" than anything else, but that won't change my mind about this role. I liked Wayne's Rooster Cogburn better.

That's not taking anything away from Jeff Bridges, who is great in the 2010 version. I love Bridges, but he really didn't bring anything new to Cogburn, and overall had less redeeming value than Wayne's Cogburn. Cogburn was an anti-hero, but ultimately still a hero. A good guy, deep down. John Wayne was able to do this, and even though it was John Wayne, playing John Wayne, it worked. Bridges seems to go too far into the darkness of the character, to a point where, even when he becomes the hero at the end, you don't exactly want to cheer for him. You want to say "It's about time". It was also very difficult to understand him throughout the film, as his mumbling, and growling should have come with subtitles.


Cogburn gives La Boeuf a warning.

So you're asking yourself about now, "How can you say he was great in the movie, and then then tell us why you didn't like it?". Good question. Here's my answer: Jeff Bridges is great, whether he's fighting Iron Man, singing country music, or trapped in a cyber world. He's gonna give you 100% percent, regardless. The fault here would lie in the Coen Brothers, who directed, produced, and wrote this version, which is a stretch, considering so many scenes, and lines where exactly the same in the orginal film directed by Henry Hathaway, and written by Marguerite Roberts.

If you'll remember, they claimed this wasn't a remake, but another adaptation of the book. That may be what they intended, but after viewing both films back to back, it felt more like a remake to me.

Getting back to the cast, the 2010 film also has Matt Damon as La Boeuf, Hailee Steinfeld as Mattie Ross, Barry Pepper as Ned "Lucky" Pepper, and Josh Brolin (in nothing more than a cameo) as Tom Chaney. All were great (almost) in their roles, especially Steinfeld as Mattie Ross. At only 14 years old, I suspect she may receive an Oscar nomination, as her performance was nothing less than spectacular. Matt Damon's La Boeuf was adequate, but not as memorable as Glen Campbell's, and underused. As good of an actor as Damon is, the Coen's missed a great opportunity here. This should have been Oscar material for Damon.

Hailee Steinfeld as Mattie Ross
Another standout performance was Barry Pepper. His take on Ned "Lucky" Pepper was fantastic, and he makes the absolute most out of the few scenes he has. The nasty teeth, and the scarred lips (which, unlike the original, are never explained here), and hate in his eyes made him look the part. His performance was superior to Robert Duvall's. A big disappointment here is Josh Brolin, who received billing on the poster, but only appears briefly, similar to the Schwarzenegger/Willis appearance in The Expendables. A big to do, about nothing. His performance even felt like he stopped in on his lunch break from doing something else more important.

Overall, believe it or not, I enjoyed the new True Grit. It only worked for me though, because of my knowledge of the characters, via the original movie. So many little details were fleshed out in 1969, that were overlooked in 2010. For instance, it is never revealed (unless somehow I missed it) that Cogburn was responsible for Ned Pepper's scarred lip. That established history between the characters, and motivation. That was lost in the 2010 film. Another pivotal scene that was left out, was Mattie's history with Chaney, or the actual murder of her father. It's all explained in a brief opening narrative, that felt rushed, and out of place. In trying to be true to the book, they made a less entertaining film. Sometimes there are reasons to make changes when adapting written word to moving pictures. The narrative here, at the beginning, and ending, should have been left out. The time spent on it would have been better used on character development.

I've already heard from many who liked this movie, and I agree with most of the praise it's receiving. It is a good movie. Visually, it felt more like the time period, than the original. The score is definitely better, as the original was hokey, and incredibly light, for a film with revenge as the main theme (but then again, it's rated G). The costumes, and makeup were fantastic, and will probably get Oscar attention. In many technical ways, it's superior, by a landslide. Aside from Hailee Steinfeld, and Barry Pepper, I like the performances, and character development in the original better.

Overall, I'm gonna call this a draw. Both films bring something to the table that the other doesn't. I strongly suggest that anyone who has seen one, see the other, and form their own opinion on which is better.

True Grit (1969)
Rated G, Runtime 120mns





True Grit (2010)
Rated PG13, Runtime 110mns